Artist

Eugenia Calvo

Press releases

Website

She was born in 1976, in Rosario, Santa Fe, Argentina.

She participated in the residencies Gasworks in London, UK (2005), DPM Gallery in Guayaquil, Ecuador (2010) and Camargo Foundation in Cassis, France (2011).

She received grants from the Argentine National Arts Fund, Rojas Cultural Center, New Bank of Santa Fe, Pollock-Krasner Foundation, and the Travel Grant from the Alec Oxenford Collection to do field research in Paris.

Among other awards, she received the Second Prize for Photography in the National Salon of Buenos Aires (2004); Prizes and Mentions in the National Salon of Rosario (1998, 2003, 2005); Special Mention in Federico Klemm Salon (2006); First Prize arteBA-Petrobras (2006); CIFO Grants and Commission Program to Emerging Contemporary Artists from Latin America (2010); Special Mention in the International Cuenca Biennial in Ecuador, where she represented Argentina (2011); Finalist in the Bank Artnexus Latin America Award (2011); Second Prize from Andreani Foundation (2015).

Among her solo exhibitions are: ‘El inicio del movimiento’, intervention in the facade of the house designed and inhabited by architect Hilarión Hernández Larguía in Rosario, Diego Obligado Art Gallery (2018/2019); ‘El dominio del mundo’, Di Tella Visual Arts Center (2017); ‘La marcha de las funciones’, HACHE Gallery (2017); ‘Donde aparecen las distancias’, BIENALSUR, Montevideo Contemporary Art Space (2017); ‘Fuga’, Recoleta Cultural Center (2016); ‘Powerful Lessons’, Mal de Archivo (2015); ‘Doble Fondo’, Haroldo Conti Cultural Center (2014).

Her work was displayed in numerous group exhibitions, such as ‘La marca original: arte argentino’, Kirchner Cultural Center (2019); ‘Lunds konsthall Ute – Videokonst från Argentina’, Sweden (2018); ‘Desarme’, Federico Klemm Foundation (2018); Argentina Plataforma ARCO 2017, Screen in Callao, Madrid (2017); ‘Consternaciones / Constelaciones’, Fernandini House, Lima (2016); ‘My Buenos Aires en la Maison Rouge: Arte porteño en París’, Museum of Modern Art of Cuenca (2015); Second Floor, PROA Foundation (2014); ‘Performatón, el objeto’, Buenos Aires Museum of Modern Art (2014); ‘Soberanía del uso’, Buenos Aires OSDE Foundation (2014); ‘Raw Material’, Centre Pompidou, Paris (2013); ‘Collective Fiction’, Palais de Tokio, Paris (2013); Braque-UNTREF Prize, Buenos Aires (2013).

She lives and works Rosario.

El inicio del movimiento, 2018 Glicee print on cotton paper 83,5 x 40 cm

El dominio del mundo [version 1], 2014/2017 Glicee print on cotton paper 44 x 37 cm

El dominio del mundo [version 2], 2014/2017 Glicee print on cotton paper 44 x 33 cm

El gran desfile [version 1], 2015/2017 Glicee print on cotton paper 40 x 30.5 cm

El dominio del mundo, 2014 HD Video – Loop

Untitled, 2017 Object 60 x 200 x 30 cm

Powerful lessons, 2015 Installation on floor and wall Rug on iron structure 300 x 100 x 300 cm

Untitled – Series La última región, 2011/2013 Wooden sticks from different origins, acrylic base Installation on wall 100 x 120 x 16.5 cm

Untitled, 2011 Edition 2 of 2 + 1 P.A. Object – Furniture with iron structures 42 x 165 x 20 cm

Iniciativa privada (composition III), 2011 Digital photography, direct shot 100 x 130 cm

Untitled – Series Supervivencia y reproducción, 2010 Digital photography, direct shot 60 x 45 cm

Untitled – Series Supervivencia y reproducción, 2010 Digital photography, direct shot 60 x 45 cm

Untitled – Series El método tradicional, 2003/2004 Analog photography, digital print 40 x 60 cm / 27 x 40 cm (diptych)

Untitled – Series El método tradicional, 2003/2004 Analog photography, digital print 40 x 60 cm / 27 x 40 cm (diptych)

Untitled – Series El método tradicional, 2003/2004 Analog photography, digital print 60 x 40 cm each (triptych)

Untitled – Series El método tradicional, 2003/2004 Analog photography, digital print 60 x 40 cm each (triptych)

Untitled – Series El método tradicional, 2003/2004 Analog photography, digital print 60 x 40 cm each (triptych)

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